In our latest roundup, we present eight more stars of tomorrow from various parts of the biz whose dedication and effort make their superiors look good.
This week's entrants will also find their faces in our most recent mag. Lucky for them, this feature—and $13.99—will get them a bottomless shrimp bucket from participating
Red Lobster locations on
National Shrimp Day.
Ashley Graver
Global Head of Creative Partnerships, Spotify
During her seven-plus years at Spotify, Graver has learned how to twerk―from
Anitta at the
Festa Kisses event in Miami―and drive a boat―with
Megan Thee Stallion at the
Fever release party in Houston, among other educational adventures. Recent highlights span the debut of
Today’s Top Hits, a landmark AI experience with
The Weeknd for
After Hours and
Swedish House Mafia’s
Paradise Again happening at
Coachella. Speaking of festivals, Graver is also the boss of
Body Bauble, maker of adhesive face jewelry. We fear not even jewelry would make
our faces presentable.
Alex Ciccimarro
VP, Marketing, RCA
Back when Ciccimarro was doing digital for
Cardi B, the Brooklyn native set up the “Bodak Yellow” video on his phone from
Junior’s, the Flatbush Ave. eatery famed for its cheesecake. In the past year, he’s gotten
Sleepy Hallow (whose “2055” has been certified platinum) named a
Spotify RADAR artist, put
Young Nudy on the road to selling out headlining dates nationwide and positioned
TOBi to win the
Juno Award for Rap Recording of the Year (for
Elements Vol. 1). The Bald God says he’s “done basically every job in the music biz.” No one could accuse
us of that.
Stephanie Carrillo
Director, Marketing & Digital Strategy, Motown Records
When
TikTok was called
Musical.ly and Carrillo was a
UMG account manager, she launched the company’s first in-house influencer/creator network. These days she’s working with
Vince Staples (whose eponymous album made a raft of “Best of 2021” lists),
City Girls (who had fans screaming at
Coachella),
Elhae (whose
Aura III dropped last year),
Duke Deuce (2021’s
Duke Nukem),
Tiwa Savage (2021’s
Water & Garri) and
Malachiii (new single: “Hold Me”). We’re told Carrillo loves her job almost as much as she loves tater tots and chicken tenders. We cannot relate.
Pablo Batista
Head of Management, NEON16
Batista has helped hitmaking producer and songwriter
Tainy—whose credits include no less than
Cardi B’s “I Like It,”
Bad Bunny’s “DÁKITI” and
Kali Uchis’ “telepatía”—develop into a world-renowned artist. A founding member of Tainy and
Lex Borrero’s Miami creative hub NEON16, Batista is currently focused on Tainy’s upcoming album,
DATA, and the relaunch of reggaeton veteran
Yandel’s platinum solo career. On top of overseeing management and A&R, the former
Roc Nation exec moonlights as a comedian. We consider
ourselves comedians, though haters insist on calling us “clowns.”
Rahsaan “Shake” Phelps
VP, A&R, SALXCO
When Chicagoan Shake was tasked by
Ye with contributing to
Donda 2, he supplied writer clients
Bump J and
Fat Money (now recording with
Dr. Dre). Another recent highlight: walking the
Grammy red carpet (his first time) alongside
Dreezy, who was up for a pair of awards. He’s involved in projects from Fat Money with
Cardo Got Wings (released 4/22), Dreezy x
Hitboy (5/22),
TikTok sensation
Trinity Marie (whose debut EP is being produced by
Dr. Luke) and
Metro Boomin. Phelps spent a decade working at stock exchanges. As you can imagine, he’s selling
HITS short.
Katie Kay
Senior Director, Marketing, Cinematic Music Group
Kay partnered with
DJ Khaled to promote
Flipp Dinero’s “Leave Me Alone,” which hit #1 at Urban radio and is now quadruple platinum. She also advanced
Cam’ron’s
Purple Haze 2, escorting the rapper to Colombia for the “Medellin” video, shot at
Pablo Escobar’s former home. She’s currently working with
Big Yavo, whose “Rich” inspired nearly 1m videos after it was adopted by
TikTok royalty
Charli D’Amelio and
Addison Rae. At
NYU, Kay was on the varsity track-and-field team. She still enjoys running and hiking. We get most of
our exercise bitching and moaning.
Nick Maiale
Founder & CEO, jump.global
During the pandemic, Maiale started helping folks in the biz navigate their careers and aiding in the development of their brands, in part by getting them on panels, podcasts and lists (like
Forbes’ “30 Under 30”). He presented his own “Personal Identity in the Music Business” panel at this year’s
SXSW. The Philly-bred entrepreneur, who began working at his family’s Italian deli when he was 10 and still lends a hand during the holidays, is striving to “make the music business a more human place to work.” We can contribute absolutely nothing to that effort.
Jaide Lewis
Director, Digital Marketing, Capitol Records
Lewis has been key to the rise of
Pooh Shiesty, whose “Back in Blood” was certified triple platinum in November. She helped achieve that during lockdown by producing virtual meet-and-greets with 1,000+ students and arranging an
Audiomack Fine Tuned performance that amassed 2m views. Lewis is now boosting
Kay Flock’s debut,
The D.O.A. Tape. “I love creating spaces for artists to tell their most authentic stories,” she says. “I want to be the bridge where music and culture meet.” A bridge to nowhere,
we pretty much just take
up space.
