Wednesday, November 10, 2021
MORE NEW & DEVELOPING: Monte Lipman’s
Republic continues to blast one home run after another, with
Morgan Wallen,
Drake,
Taylor Swift,
Ariana Grande and
The Weeknd keeping the brothers busy, plus
Glass Animals’ streaming giant and
Grammy momentum.




Jeff Vaughn and
Michelle Jubelirer end their first year of co-leadership at the
Capitol Tower with high hopes for
Halsey Grammy glory, a new album from the legendary
ABBA (which was a U.K. #1) and a big pop hit from
NEIKED x
Mae Muller x
Polo G that bears the fingerprints of both
Richard Griffiths and
Nick Raphael. That’s the same team that previously launched hits by
Niall Horan and
5 Seconds of Summer.
Virgin, led by
Jacqueline Saturn, continues to put points on the board for the label group.




Next year, new
Lucian-Grainge-appointed leadership at
Island and
Def Jam—the
Imran Majid/
Justin Eshak tandem and
Tunji Balogun, respectively—will take the field. Tunji’s first Grammy night as label boss could offer big possibilities for stars
Justin Bieber and
Ye (The Artist Formerly Known as
Kanye).
The relocation of RCA’s creative team to the West Coast—as Peter Edge, John Fleckenstein and company set up a new studio/office complex outside the Sony lot—feels like a major upgrade for the team. The complex should serve not only as a workshop for artists, A&R execs and producers but should also provide real cachet. Meanwhile, their Grammy season could be a Doja-fueled gold rush, with hopes for Tate McRae, H.E.R. and WizKid, among others, too, and new SZA music on the way.



SCREEN TEST: The fallout continues from the
Grammy screening committees’ ejection of artists like
Kacey Musgraves and
Bo Burnham from categories in which they would likely have won. It’s pretty clear that the screening committees now do much of the heavy lifting for insiders’ backroom agendas. Defenders of the status quo say that despite their excesses, these committees exist so nobody is submitted for the “wrong” categories. But why should a dozen or fewer anonymous players make that call? If voting truly counts, why not let Academy members vote on
everything submitted for a category and trust their judgment?
We won’t see the Grammygate ’22 shit hit the fan until the nominations are made public just before Thanksgiving. Those noms will be decided in a smoke-filled room by a handful of insiders with real juice, the Academy’s “transparency” rhetoric notwithstanding. Who will collect this year’s major Grammy grease?