Tuesday, October 27, 2020

Barring some massive surprise in the next few weeks, the 2020 marketshare standings are set in stone. The championship will go to
John Janick’s
Interscope Geffen A&M, which has had the best year in its three-decade history, with
Billie Eilish,
Juice WRLD,
DaBaby,
Rod Wave,
Summer Walker and
Moneybagg Yo representing the next generation of IGA stars. These six breakout acts, along with core artists
Eminem and
Lady Gaga, have 12 of the year’s Top 50 albums in overall activity, four more than 2019 champ and 2020 runner-up
Atlantic. A&R-wise, EVP
Joie Manda and
Alamo’s
Todd Moscowitz were droppin’ dimes all over the place.
IGA is just the tip of the iceberg for
Sir Lucian Grainge’s perennially dominant
UMG, whose 38.5% share is a stunning 13 percentage points above the field—another reason the
Vivendi brass are salivating in anticipation of that 2022 IPO as if it were an upcoming feast at a
Michelin three-star restaurant.
Monte Lipman’s
Republic is a solid #3 with 8%, claiming no less than four of the Top 7 albums, from
The Weeknd,
Taylor Swift (who has once again broken a million in sales—in the midst of the streaming revolution),
Pop Smoke and
Post Malone.
Steve Barnett’s
Capitol Music Group, which holds onto #4 in the standings with 7.5%, has the only album to break 2m,
Lil Baby’s
My Turn, in another triumph for
QC/Motown.
Halsey,
Lewis Capaldi and
10K/Caroline’s
Trippie Redd give CMG four Top 50 entries.
Def Jam is showing signs of life under
Jeff Harleston’s leadership, with
Justin Bieber north of 1m units and
Jhené Aiko becoming the label’s newest star. And
Mike Dungan is having continued success with
Chris Stapleton and
Sam Hunt at
UMG Nashville.
Ron Perry’s revitalized
Columbia leads the way for
Rob Stringer’s
Sony Music, #2 of the Big Three with 25.5%, thanks to a pair of superstars in
Harry Styles and
BTS, along with sophomore sensation
Polo G and rookie phenoms
24kGoldn and
Jawsh 685.
Peter Edge’s
RCA has made a big splash with newcomer
Doja Cat;
Future and
Travis Scott/Jackboys have delivered for
Sylvia Rhone at
Epic; and
Luke Combs has rocketed into the stratosphere for
Randy Goodman’s
Sony Music Nashville.
Steve Cooper’s
WMG has 16.8% of the market, paced by a Top 10 album from
Dua Lipa for
Aaron Bay-Schuck and
Tom Corson’s
Warner, while
Espo’s
Warner Music Nashville has launched a pair of potent crossover acts in
Gabby Barrett and
Dan + Shay.
All of the above have come through amid unimaginably trying circumstances. Indeed, everyone who crosses the finish line this year deserves a medal and a magnum of chilled
Dom Perignon.
