In our latest roundup, we present eight more stars of tomorrow from various parts of the biz whose dedication and effort make their superiors look good.
This week's entrants will also find their faces in our latest magazine, which makes an excellent coaster.

Dwight Lazarus
Lead, Label Partnerships, Spotify
Lazarus has transcribed lyrics for
JAY-Z &
Kanye West’s
Watch the Throne in NYC, enjoyed Sunday roast with
Ed Sheeran, jammed out with
Bruno Mars &
Anderson .Paak, flown to Miami to chat with
Kodak Black, to name but a few highlights. Now, he’s continuing to paint the world
BRAT green for
Charli xcx’s album, supporting
Cordae’s
Crossroads project this fall, pushing
Teddy Swims deeper into superstardom and planning celebrations for
Gucci Mane’s 20-year milestone on 10/17. Lazarus champions
Batman as the ultimate superhero for having no superpowers. Where’s
our parade?

Paige Maloney
Agent, Wasserman Music
Having been part of
Noah Kahan’s booking team since 2016, Maloney savors having seen him sell out his first two stadium shows at
Fenway Park. With
SUSTO recently wrapping their annual
Fine 2Day Fest in Maquoketa, IA, she’s presently focused on fall dates from
Katie Pruitt,
Kelsey Waldon,
Elizabeth Cook and
Emily Nenni. She’s also gearing up for
Bobby Weir to perform a few more symphony dates with his touring band, the
Wolf Bros featuring
The Wolfpack, playing new arrangements of the
Dead catalog with orchestras. Maloney’s a furniture-assembly enthusiast. We’re missing a few screws.

Jeff “
Gitty‟
Gitelman
Producer, Playground Media
Gitelman will never forget the time
Hozier brought him onstage during his sold-out
Hollywood Bowl show to perform “First Time,” a song he produced and a dream come true from this producer’s days as a touring guitarist. Presently, Gitelman is deeply involved with artists such as
Jessie Murph,
Teddy Swims,
Muni Long and
Anderson .Paak, focusing on collaborative projects that transcend single records. Hailing from Moldova, Gitelman didn’t speak English until moving to the U.S. at age nine. As regular readers will attest, we’re barely fluent ourselves.

Gracie Reichel
VP, Digital Strategy, The Trenches
Working with
Noah Kahan and his team on short-form content strategy, Reichel relished guiding the singer-songwriter’s
TikTok following from 200k to 2.8m. She was also proud to see him earn a
Grammy nom and headline two sold-out nights at
Fenway Park and to watch his
Stick Season go multi-platinum. Now, she’s continuing to amplify
Post Malone’s #1 country album,
F-1 Trillion. A job perk? Reichel has met the likes of
Dolly Parton,
Blake Shelton and
Brad Paisley. No one wants to meet
us.

James Armstrong
VP, Creative Marketing, Sony Music Publishing
After closing an ad campaign for
Def Leppard with
Pure Leaf Iced Tea in which
Phil Collen reimagined “Pour Some Sugar on Me,” Armstrong got a fist bump from Collen during the band’s show at
Citi Field—sweet, right? Lately, he’s been jazzed about placing
Travis Scott’s “FE!N” in a
Gatorade ad and orchestrating a global campaign with
Beyoncé’s “PURE/HONEY” for
Paco Rabanne’s Million Gold fragrance. In his spare time, Armstrong’s been studying for a yoga-teacher certification and learning to read tarot cards. We don’t wanna know how grim our future looks.

Emmie Chambers
Operations Manager, Primary Wave Music
Chambers fondly remembers being thanked in the liner notes of
Jimmy Buffett’s final album,
Equal Strain on All Parts, and coordinating the release of 2023’s “Jolene” by
Olivia Newton-John &
Dolly Parton. When she’s not participating in the legacy of legends like Newton-John and
Henry Mancini, she’s been focused on the women of
Sun Records, seeing releases this year from the likes of
Ruthie Foster,
ZZ Ward,
Shawna Thompson and
Amy Helm, with no plans to slow down in 2025. Chambers secretly boasts an “uncannily accurate”
Shakira impression. We wish our hips would lie.

Mark Taylor
Sr. Director, Creative, Facet House
Among other career highlights, Taylor inked
Mitski to
WCM, saw
Dua Lipa’s first U.S. live show and watched the rise of
Chappell Roan’s hit “Good Luck, Babe!” (cowritten by Facet House founder
Justin Tranter). In partnership with Tranter, Taylor and Facet House publish writers like
Shawn Wasabi,
Blush and
Skyler Stonestreet; the roster has achieved Top 10 hits at nearly every major radio format, including singles from
Future,
Måneskin,
Tate McRae,
Saweetie and
Dove Cameron. In high school, Taylor’s band won the
Irvine Battle of the Bands. We got pushed into our lockers.

Jessie Richard
SVP, Federal Public Policy, RIAA
Richard is proud to have supported impactful moments for artists, such as
fka twigs’ heartfelt observations about AI and
Smokey Robinson calling for protections in the
Music Modernization Act. While educating policymakers about AI’s impact on the biz and advocating for lawful, responsible tech development, she’s focused on legislation like the
NO FAKES Act, ensuring creators can leverage the benefits of AI while mitigating risks associated with deepfakes. In middle school, Richard got a standing ovation for her solo dance performance of “Vogue.” We sustained a Hokey Pokey-related injury.